1 00:00:06,841 --> 00:00:07,967 OHH! 2 00:00:08,007 --> 00:00:10,761 [FLATINE CONTINUES AND FADES] 3 00:00:45,880 --> 00:00:48,131 SNEAKING OUT? 4 00:00:48,173 --> 00:00:51,886 YEAH. I GOT TO... 5 00:00:51,927 --> 00:00:53,512 GET HOME. 6 00:00:53,554 --> 00:00:54,680 I GET IT. 7 00:00:54,722 --> 00:00:57,975 I DON'T NORMALLY DO THIS EITHER, 8 00:00:58,017 --> 00:01:00,310 BUT LAST NIGHT, 9 00:01:00,352 --> 00:01:03,104 YOU SEEMED SO SAD. 10 00:01:03,146 --> 00:01:05,691 I DIDN'T THINK YOU SHOULD BE ALONE. 11 00:01:05,733 --> 00:01:08,652 YEAH, YOU'RE RIGHT, 12 00:01:08,694 --> 00:01:11,363 BUT... 13 00:01:11,405 --> 00:01:13,281 I SHOULDN'T HAVE BEEN HERE EITHER. 14 00:01:28,380 --> 00:01:29,840 GWEN: RYAN? 15 00:01:29,882 --> 00:01:31,299 I'VE BEEN WORRIED TO DEATH. 16 00:01:31,341 --> 00:01:33,301 I'VE BEEN CALLING YOU ALL NIGHT. 17 00:01:33,343 --> 00:01:35,012 OH. YOU'RE HURT. 18 00:01:40,308 --> 00:01:41,476 YOU'VE BEEN DRINKING. 19 00:01:41,518 --> 00:01:42,811 WHAT HAPPENED? 20 00:01:49,026 --> 00:01:50,986 WHERE WERE YOU LAST NIGHT? 21 00:01:51,028 --> 00:01:52,905 I SCREWED UP. 22 00:01:52,947 --> 00:01:54,281 DID YOU... 23 00:01:57,743 --> 00:01:59,286 HOW COULD YOU DO THIS TO US? 24 00:01:59,327 --> 00:02:01,538 I'M SORRY. IT'S JUST AFTER JOE'S EXECUTION-- 25 00:02:01,580 --> 00:02:02,748 STOP! 26 00:02:02,790 --> 00:02:05,084 YOU DO NOT GET TO BLAME HIM FOR THIS. 27 00:02:05,125 --> 00:02:08,169 I TOLD YOU TO STAY AWAY FROM JOE. 28 00:02:08,211 --> 00:02:10,171 I BEGGED YOU TO COME HOME TO ME, 29 00:02:10,213 --> 00:02:11,799 AND NOW YOU'VE RUINED US! 30 00:02:11,840 --> 00:02:14,635 NO. NO. I C--I CAN MAKE THIS RIGHT. 31 00:02:14,676 --> 00:02:16,177 HOW? 32 00:02:16,219 --> 00:02:17,220 HE'S DEAD, 33 00:02:17,262 --> 00:02:18,931 AND YOU CAN'T LET HIM GO. 34 00:02:18,973 --> 00:02:21,100 HE OWNS A PART OF YOU THAT I CAN'T REACH. 35 00:02:21,141 --> 00:02:23,894 YOU KNOW WHAT? I'M TIRED OF TRYING. 36 00:02:23,936 --> 00:02:25,854 NO. GWEN, PLEASE. 37 00:02:25,896 --> 00:02:26,939 YOU GOT TO GIVE ME A CHANCE. 38 00:02:26,981 --> 00:02:28,482 I HAVE. SEVERAL. 39 00:02:30,943 --> 00:02:33,528 I'M DONE. 40 00:02:33,570 --> 00:02:35,238 NO, NO, NO, NO. WAIT. 41 00:02:40,786 --> 00:02:43,038 JOE: DON'T WORRY. 42 00:02:43,080 --> 00:02:44,247 YOU STILL HAVE ME. 43 00:02:56,551 --> 00:02:58,012 THIS IS STUPID. 44 00:02:58,053 --> 00:02:59,220 YOU'RE JUST GONNA GRAB MIKE IN BROAD DAYLIGHT? 45 00:02:59,262 --> 00:03:00,555 [AS LUKE] I'M DONE WAITING. 46 00:03:00,597 --> 00:03:01,640 I WANT TO MAKE HIM SUFFER. 47 00:03:01,682 --> 00:03:03,017 LET'S JUST TAKE A BEAT 48 00:03:03,058 --> 00:03:04,601 AND BE SMART ABOUT THIS. 49 00:03:04,643 --> 00:03:06,394 SOMEONE HAS MY LAPTOP. 50 00:03:06,436 --> 00:03:07,729 THEY'RE USING IT TO WATCH MAX. 51 00:03:07,771 --> 00:03:09,272 THEY COULD BE AN ALLY, OK? 52 00:03:09,314 --> 00:03:10,816 WE--WE CAN USE THEM TO BLINDSIDE MIKE, 53 00:03:10,858 --> 00:03:11,900 GET HIM TO COME TO US. 54 00:03:11,942 --> 00:03:13,234 THAT'LL TAKE TOO LONG. 55 00:03:13,276 --> 00:03:15,070 -MARK, PLEASE-- -I'M NOT MARK! 56 00:03:17,906 --> 00:03:20,408 YES, YOU ARE, 57 00:03:20,450 --> 00:03:22,911 AND YOUR HEART IS BROKEN, 58 00:03:22,953 --> 00:03:24,788 AND I UNDERSTAND THAT, 59 00:03:24,830 --> 00:03:26,832 BUT IF YOU TAKE A RUN AT MIKE RIGHT NOW, YOU'LL DIE, 60 00:03:26,874 --> 00:03:29,626 AND I'LL BE ON MY OWN AGAIN, AND I DON'T KNOW HOW TO DO THIS ALONE. 61 00:03:29,668 --> 00:03:30,836 KILLING HIM IS ALL I THINK ABOUT. 62 00:03:30,878 --> 00:03:33,088 YOU DON'T THINK THAT I WANT TO KILL RYAN 63 00:03:33,130 --> 00:03:34,798 FOR WHAT HE DID TO KYLE? 64 00:03:34,840 --> 00:03:39,094 WE'RE IN THE SAME PLACE, MARK. 65 00:03:39,136 --> 00:03:41,596 OK. WE BOTH DEFINED OURSELVES BY ANOTHER PERSON, 66 00:03:41,638 --> 00:03:43,974 AND NOW THEY'RE DEAD, AND WE'RE LOST, 67 00:03:44,016 --> 00:03:46,434 BUT THERE HAS TO BE MORE THAN REVENGE. 68 00:03:50,313 --> 00:03:51,565 LIKE WHAT? 69 00:03:55,652 --> 00:03:56,778 I DON'T KNOW, 70 00:03:56,820 --> 00:03:58,697 BUT--BUT I KNOW THAT KYLE 71 00:03:58,739 --> 00:04:00,782 WOULD WANT ME TO LIVE, 72 00:04:00,824 --> 00:04:03,577 TO TRY AND FIND HAPPINESS, 73 00:04:03,618 --> 00:04:07,164 AND I'M SURE THAT LUKE WOULD WANT THE SAME FOR YOU. 74 00:04:17,340 --> 00:04:18,842 MARK, NO. 75 00:04:18,884 --> 00:04:19,968 [AS MARK] I HAVE TO. 76 00:04:20,010 --> 00:04:21,136 FOR LUKE. 77 00:04:45,619 --> 00:04:47,246 MARK: WHAT ARE YOU-- WHAT ARE YOU DOING? 78 00:04:47,287 --> 00:04:50,707 HE'S GOT A SECURITY DETAIL WITH HIM. 79 00:04:50,749 --> 00:04:52,584 THAT WAS ALMOST THE END, MARK. 80 00:04:52,626 --> 00:04:55,545 YOU WOULD BE DEAD, AND MIKE WOULD HAVE WON. 81 00:04:55,587 --> 00:04:58,090 ALL RIGHT. WE'LL DO IT YOUR WAY. 82 00:04:58,132 --> 00:04:59,841 I'LL SEE YOU LATER? 83 00:04:59,883 --> 00:05:01,135 HEY. 84 00:05:01,176 --> 00:05:02,385 WHAT'S UP? 85 00:05:07,015 --> 00:05:08,267 YOU HEARD FROM RYAN? 86 00:05:08,308 --> 00:05:09,726 NOT SINCE YESTERDAY. HE'S NOT IN YET? 87 00:05:09,768 --> 00:05:11,270 NO. 88 00:05:11,311 --> 00:05:13,438 WELL, I'LL GIVE HIM A CALL AFTER I TALK TO SLOAN. 89 00:05:13,480 --> 00:05:15,190 I'VE ELIMINATED HER FROM THE SUSPECT LIST 90 00:05:15,232 --> 00:05:16,399 OF POSSIBLE MOLES, 91 00:05:16,441 --> 00:05:18,068 SO I WANT TO BRING HER IN ON THE INVESTIGATION. 92 00:05:18,110 --> 00:05:19,402 WE CAN USE AN EXTRA SET OF EYES. 93 00:05:19,444 --> 00:05:20,445 YEAH. 94 00:05:22,405 --> 00:05:24,283 -GWEN? -HEY. 95 00:05:24,324 --> 00:05:26,409 IS EVERYTHING ALL RIGHT? 96 00:05:26,451 --> 00:05:29,246 RYAN'S BEEN DRINKING AGAIN. 97 00:05:29,288 --> 00:05:30,455 DRINKING? 98 00:05:30,497 --> 00:05:32,291 YEAH, AND, UH, I CAN'T BE THERE 99 00:05:32,332 --> 00:05:33,750 FOR HIM ANYMORE. 100 00:05:33,792 --> 00:05:35,043 I JUST CAN'T, 101 00:05:35,085 --> 00:05:37,671 SO, UH, SOMEBODY PROBABLY SHOULD BE. 102 00:05:37,712 --> 00:05:39,380 OK. 103 00:05:39,422 --> 00:05:41,091 I'LL HEAD OVER THERE NOW. 104 00:05:41,133 --> 00:05:43,135 ARE YOU OK? 105 00:05:43,177 --> 00:05:44,719 NOT REALLY. 106 00:05:54,271 --> 00:05:55,522 GWEN? 107 00:06:04,865 --> 00:06:08,451 REMIND ME TO GET THAT KEY BACK FROM YOU. 108 00:06:08,493 --> 00:06:09,661 WHAT ARE YOU DOING HERE, MAX? 109 00:06:09,703 --> 00:06:11,205 GWEN CALLED ME. 110 00:06:12,706 --> 00:06:13,707 HOW IS SHE? 111 00:06:13,748 --> 00:06:15,625 SHE'S UPSET. 112 00:06:15,667 --> 00:06:16,960 SHE'S WORRIED ABOUT YOU. 113 00:06:19,504 --> 00:06:20,714 HAVE YOU BEEN DRINKING? 114 00:06:20,755 --> 00:06:21,882 WHAT ARE YOU DOING? 115 00:06:21,923 --> 00:06:23,633 I REALLY DON'T WANT TO GO INTO IT RIGHT NOW. 116 00:06:23,675 --> 00:06:25,802 I LOVE YOU TOO MUCH TO LET YOU GET AWAY WITH THIS, 117 00:06:25,844 --> 00:06:28,429 SO, LET'S CALL A SPONSOR. 118 00:06:28,471 --> 00:06:30,515 WHY DON'T WE GO TO A MEETING? 119 00:06:30,557 --> 00:06:32,767 I'M GOOD. REALLY. 120 00:06:36,104 --> 00:06:38,232 I DON'T KNOW WHAT TYPE OF GAME 121 00:06:38,273 --> 00:06:39,358 JOE WAS RUNNING ON YOU YESTERDAY, 122 00:06:39,398 --> 00:06:40,483 BUT HE IS FINALLY GONE. 123 00:06:40,525 --> 00:06:41,818 YOU ARE FREE. 124 00:06:41,860 --> 00:06:42,944 YOU SHOULD BE RELIEVED. 125 00:06:42,986 --> 00:06:45,030 AND YOU SHOULD GET BACK TO WORK. 126 00:06:45,072 --> 00:06:47,406 WELL, THAT'S NOT GONNA HAPPEN. YOU'RE STUCK WITH ME. 127 00:06:47,448 --> 00:06:49,492 I DON'T NEED A BABY-SITTER, MAX. 128 00:06:50,994 --> 00:06:52,829 THE TIP JOE GAVE YOU ABOUT THEO BEING BORN 129 00:06:52,871 --> 00:06:55,707 FROM VIOLENCE IN PHILADELPHIA-- 130 00:06:55,749 --> 00:06:56,875 WE GOT A LEAD. 131 00:06:59,586 --> 00:07:01,380 THAT'S GREAT. 132 00:07:01,420 --> 00:07:03,131 I RAN ALL CRIME REPORTS FROM THE YEARS 133 00:07:03,173 --> 00:07:04,341 OF THEO'S CHILDHOOD, 134 00:07:04,383 --> 00:07:06,093 AND I FOUND A MULTIPLE MURDER 135 00:07:06,134 --> 00:07:09,096 SOME 25 YEARS AGO IN PHILLY. 136 00:07:09,137 --> 00:07:10,347 ENTIRE FAMILY WAS SLAUGHTERED 137 00:07:10,389 --> 00:07:11,681 EXCEPT THE OLDEST SON. 138 00:07:14,101 --> 00:07:17,229 TERRANCE JACKSON, THE SOLE SURVIVOR. 139 00:07:17,271 --> 00:07:18,772 THIS IS THEO. 140 00:07:20,481 --> 00:07:22,567 HE POINTED TO HIS MOTHER'S ABUSIVE BOYFRIEND 141 00:07:22,609 --> 00:07:24,694 AS A SUSPECT-- DOMESTIC VIOLENCE-- 142 00:07:24,736 --> 00:07:26,071 BUT HE HAD AN ALIBI, 143 00:07:26,113 --> 00:07:27,864 SO THE CASE WENT UNSOLVED. 144 00:07:29,783 --> 00:07:30,951 6 YEARS LATER, THEY FOUND 145 00:07:30,992 --> 00:07:32,244 THE BOYFRIEND'S BODY FLOATING 146 00:07:32,286 --> 00:07:33,787 IN THE TINICUM MARSH. 147 00:07:33,828 --> 00:07:35,622 CAUSE OF DEATH? 148 00:07:35,663 --> 00:07:36,915 INCONCLUSIVE. 149 00:07:36,957 --> 00:07:38,499 THIS COULD HAVE BEEN THEO'S FIRST KILL. 150 00:07:38,541 --> 00:07:39,918 HE WOULD HAVE BEEN 16 YEARS OLD. 151 00:07:39,960 --> 00:07:41,295 REVENGE FOR HIS FAMILY'S MURDER 152 00:07:41,336 --> 00:07:43,880 FITS HIS PROFILE. 153 00:07:43,922 --> 00:07:45,465 WHAT HAPPENED TO TERRANCE JACKSON? 154 00:07:45,506 --> 00:07:47,342 AFTER 16, HE CEASED TO EXIST. 155 00:07:47,384 --> 00:07:49,803 NO SCHOOL RECORDS, NO FOSTER HOMES, NOTHING. 156 00:07:49,844 --> 00:07:51,763 CREATED A NEW IDENTITY. 157 00:07:55,474 --> 00:07:56,768 WHERE YOU GOING? 158 00:07:59,562 --> 00:08:00,730 SHOWER. 159 00:08:02,774 --> 00:08:04,609 COULD YOU MAKE ME SOME COFFEE? 160 00:08:04,651 --> 00:08:05,819 SURE. 161 00:08:14,202 --> 00:08:16,163 DOING YOUR HOMEWORK? 162 00:08:16,204 --> 00:08:18,332 GPS COORDINATES TRACE BACK TO THIS HOUSE 163 00:08:18,373 --> 00:08:20,208 IN ANNAPOLIS. 164 00:08:20,250 --> 00:08:23,003 THAT'S FANCY. WHO LIVES THERE? 165 00:08:23,044 --> 00:08:24,921 OWNERSHIP IS HIDDEN BEHIND LAYERS OF SHELL COMPANIES. 166 00:08:24,963 --> 00:08:26,840 I HAVEN'T BEEN ABLE TO UNRAVEL THEM ALL, 167 00:08:26,881 --> 00:08:28,091 BUT IT'S SAFE TO SAY THERE'S A LOT 168 00:08:28,133 --> 00:08:29,843 OF MONEY AND POWER BEHIND IT, 169 00:08:29,884 --> 00:08:32,429 THE KIND OF MONEY AND POWER THAT CAN HELP US DISAPPEAR. 170 00:08:32,471 --> 00:08:36,391 OK. SO WHAT'S THE PLAN? 171 00:08:36,433 --> 00:08:38,185 HOW'D YOU LIKE TO GO FOR A DRIVE? 172 00:08:38,226 --> 00:08:40,061 CAN WE GET BREAKFAST ON THE WAY? 173 00:08:40,103 --> 00:08:41,271 SURE. 174 00:08:44,316 --> 00:08:46,151 DO YOU TRUST THIS GUY? 175 00:08:46,193 --> 00:08:48,111 NO. HE WAS A FRIEND OF JULIANA'S. 176 00:08:48,153 --> 00:08:50,322 HE GAVE US THE CAMERAS FOR MAX'S APARTMENT, 177 00:08:50,364 --> 00:08:52,115 SET UP THE WEB PORTAL TO STREAM THE FEED, 178 00:08:52,157 --> 00:08:54,659 SO HE SHOULD BE ABLE TO TELL US WHO'S STILL WATCHING IT. 179 00:08:54,701 --> 00:08:56,661 UM... 180 00:08:56,703 --> 00:08:59,122 I THINK LUKE SHOULD BE HERE FOR THIS ONE. 181 00:08:59,164 --> 00:09:00,748 YOU DON'T NEED HIM. YOU CAN DO THIS. 182 00:09:00,790 --> 00:09:02,125 NO, BUT... 183 00:09:02,167 --> 00:09:05,295 HE WAS ALWAYS GOOD AT THIS KIND OF STUFF. 184 00:09:05,337 --> 00:09:07,547 SURE. WHATEVER YOU NEED. 185 00:09:21,895 --> 00:09:23,813 HEY, SILAS. 186 00:09:23,855 --> 00:09:24,898 WHOA. 187 00:09:24,939 --> 00:09:26,233 NOT COOL. 188 00:09:26,274 --> 00:09:27,192 YOU NEED TO GO. 189 00:09:27,234 --> 00:09:28,693 DON'T BE LIKE THAT. 190 00:09:28,735 --> 00:09:29,944 I JUST NEED A LITTLE HELP WITH SOMETHING, 191 00:09:29,986 --> 00:09:31,238 AND THEN WE'LL BE ON OUR WAY. 192 00:09:31,279 --> 00:09:32,489 FORGET IT. DID YOU HEAR 193 00:09:32,531 --> 00:09:34,157 WHAT SOME FREAK DID TO JULIANA? 194 00:09:34,199 --> 00:09:35,867 HER FACE WAS BURNED OFF. 195 00:09:35,909 --> 00:09:37,118 [AS LUKE] THAT FREAK WAS ME, 196 00:09:37,160 --> 00:09:39,162 AND HER DEATH WAS A THING OF BEAUTY. 197 00:09:39,204 --> 00:09:40,621 LISTEN. DON'T BE SUCH A DICK ABOUT IT. 198 00:09:40,663 --> 00:09:41,748 TAKE HIM IN THE BACK. 199 00:09:41,789 --> 00:09:42,749 OK. 200 00:09:42,790 --> 00:09:43,958 WHAT? NO. 201 00:09:46,545 --> 00:09:47,670 OK. 202 00:09:51,258 --> 00:09:53,801 YOU KNOW, I JUST DON'T GET THE WHOLE HIPSTER THING. 203 00:09:53,843 --> 00:09:56,388 NEVER MIND THE IRONIC HEADWEAR 204 00:09:56,430 --> 00:09:57,514 AND THE ARTISANAL PICKLES, 205 00:09:57,556 --> 00:09:58,848 IT JUST SEEMS SO STUPID TO GROW 206 00:09:58,890 --> 00:10:00,267 SOMETHING SO FLAMMABLE 207 00:10:00,308 --> 00:10:01,851 ON YOUR FACE. 208 00:10:01,893 --> 00:10:04,354 IT DIDN'T HAVE TO GO THIS WAY, SILAS. 209 00:10:04,396 --> 00:10:06,523 I WAS ALL READY TO COME IN HERE, 210 00:10:06,565 --> 00:10:07,524 FLIRT WITH YOU A LITTLE. 211 00:10:07,566 --> 00:10:08,733 IT'S COOL, IT'S COOL. 212 00:10:08,775 --> 00:10:10,277 LET'S JUST START OVER. 213 00:10:10,318 --> 00:10:12,904 I'LL DO WHATEVER YOU WANT, OK? 214 00:10:12,946 --> 00:10:14,114 OK. 215 00:10:16,366 --> 00:10:17,951 BUT GIVE US ANY TROUBLE, 216 00:10:17,992 --> 00:10:20,161 I'M GONNA ROAST MARSHMALLOWS OFF YOUR FACE. 217 00:10:33,383 --> 00:10:35,385 THEO: LOOKS LIKE SOMEONE'S HAVING A PARTY TONIGHT. 218 00:10:35,427 --> 00:10:37,095 WELL, I LOVE PARTIES. 219 00:10:37,137 --> 00:10:39,055 WE GONNA CRASH? 220 00:10:39,097 --> 00:10:40,807 IF ONLY IT WERE THAT EASY. 221 00:10:52,235 --> 00:10:53,778 NO. 222 00:10:53,820 --> 00:10:54,779 WHAT? 223 00:10:54,821 --> 00:10:56,197 WE NEED FINESSE HERE, PENNY, 224 00:10:56,239 --> 00:10:57,324 NOT MAYHEM. 225 00:10:57,365 --> 00:10:59,200 FINE. 226 00:10:59,242 --> 00:11:00,827 HEY. HOW YOU DOING? 227 00:11:00,868 --> 00:11:01,828 CAN WE HELP YOU, SIR? 228 00:11:01,869 --> 00:11:03,121 I SURE HOPE SO. 229 00:11:03,163 --> 00:11:04,705 WE'RE LOST, AND OUR NAVIGATION SYSTEM 230 00:11:04,747 --> 00:11:05,999 IS ON THE FRITZ. 231 00:11:06,040 --> 00:11:07,666 YOU KNOW, YOU PAY ALL THIS MONEY FOR TECHNOLOGY, 232 00:11:07,708 --> 00:11:10,420 AND IT JUST SCREWS YOU WHEN YOU NEED IT MOST, RIGHT? AM I RIGHT? 233 00:11:10,462 --> 00:11:11,505 SIR, THIS IS PRIVATE PROPERTY. 234 00:11:11,546 --> 00:11:12,797 YOU CAN'T BE HERE. 235 00:11:12,839 --> 00:11:14,090 YOU NEED TO LEAVE NOW. 236 00:11:14,132 --> 00:11:15,592 NO PROBLEM, NO PROBLEM, YOU WOULDN'T HAPPEN TO 237 00:11:15,634 --> 00:11:17,302 KNOW HOW TO GET TO 97 FROM HERE, WOULD YOU? 238 00:11:17,344 --> 00:11:18,803 CAN'T HELP YOU. 239 00:11:18,845 --> 00:11:19,804 -OK. -NOW. 240 00:11:19,846 --> 00:11:22,056 ALL RIGHT. HAVE A NICE DAY. 241 00:11:22,098 --> 00:11:23,558 WE COULD HAVE TAKEN HIM. 242 00:11:23,600 --> 00:11:25,768 THAT'S NOT THE POINT. 243 00:11:25,810 --> 00:11:27,270 WE CAN'T JUST HOP THE FENCE, 244 00:11:27,312 --> 00:11:30,565 WHICH MEANS WE GOT TO FIND ANOTHER WAY IN. 245 00:11:36,737 --> 00:11:38,990 HEY. HOW'S HE DOING? 246 00:11:39,032 --> 00:11:40,408 IT'S NOT GOOD. 247 00:12:02,305 --> 00:12:03,890 -YOU OK? -YEAH. 248 00:12:03,931 --> 00:12:05,308 YOU COULD HAVE CALLED ME. 249 00:12:05,350 --> 00:12:06,685 YOU KNOW, YOU CAN TALK TO ME ABOUT ANYTHING. 250 00:12:06,725 --> 00:12:07,852 YOU KNOW THAT, RIGHT? 251 00:12:07,894 --> 00:12:08,769 I KNOW. 252 00:12:08,811 --> 00:12:10,021 LET'S GET TO WORK. 253 00:12:13,358 --> 00:12:15,151 MAX WAS JUST CATCHING ME UP ON THE LATEST. 254 00:12:15,193 --> 00:12:17,320 YEAH. I NOTICED SOME THINGS IN THIS FILE. 255 00:12:17,362 --> 00:12:18,737 IT JUST DOES NOT ADD UP. 256 00:12:18,779 --> 00:12:19,989 LIKE? 257 00:12:20,031 --> 00:12:21,408 WELL, LOOK AT THE VICTIMS' BODIES. 258 00:12:21,449 --> 00:12:23,284 LEGS STRAIGHT, TOGETHER, 259 00:12:23,326 --> 00:12:25,495 ARMS EXTENDED OVER THEIR HEADS. 260 00:12:25,537 --> 00:12:27,038 THEY WERE POSED POSTMORTEM. 261 00:12:27,080 --> 00:12:28,998 YEAH, BUT THE AUTOPSY REPORT SAYS 262 00:12:29,040 --> 00:12:30,291 THAT THE VIOLENCE WAS FOCUSED, 263 00:12:30,333 --> 00:12:32,711 DIRECTED, METHODICAL, NOT ERRATIC. 264 00:12:32,751 --> 00:12:35,672 THAT'S ATYPICAL FOR AN ABUSIVE BOYFRIEND. 265 00:12:35,714 --> 00:12:36,923 WAIT A MINUTE. 266 00:12:36,964 --> 00:12:38,258 THERE'S A BROKEN MIRROR IN THE HOUSE. 267 00:12:38,299 --> 00:12:40,218 ANY OF THE VICTIMS' INJURIES CONSISTENT 268 00:12:40,260 --> 00:12:41,219 WITH BROKEN GLASS? 269 00:12:41,261 --> 00:12:43,346 NO. NO. DEFINITELY NOT. 270 00:12:43,388 --> 00:12:44,431 IS THE MIRROR SIGNIFICANT? 271 00:12:44,472 --> 00:12:47,475 YEAH. I'VE SEEN IT BEFORE. 272 00:12:47,517 --> 00:12:49,060 MATCHES THE M.O. OF A SERIAL KILLER 273 00:12:49,102 --> 00:12:51,062 WHO WAS ACTIVE IN PHILADELPHIA IN THE NINETIES 274 00:12:51,104 --> 00:12:52,480 CALLED THE MADMAN. 275 00:12:52,522 --> 00:12:53,648 WHAT DO WE KNOW ABOUT HIM? 276 00:12:53,690 --> 00:12:55,609 NEVER BEEN CAUGHT. 277 00:12:55,650 --> 00:12:57,694 FORMER COLLEAGUE OF MINE LISA CAMPBELL HAD THE CASE, 278 00:12:57,736 --> 00:13:01,489 AND I THINK SHE'S AN ACADEMY INSTRUCTOR AT QUANTICO NOW. 279 00:13:01,531 --> 00:13:03,366 THIS IS HOW WE'RE GONNA GET THEO. 280 00:13:06,827 --> 00:13:08,496 WELL, THE BROKEN MIRROR DOES PLAY 281 00:13:08,538 --> 00:13:09,997 INTO THE MADMAN'S SIGNATURE, 282 00:13:10,039 --> 00:13:11,790 SO THIS COULD BE ONE OF HIS. 283 00:13:11,832 --> 00:13:13,710 IT'S POSSIBLE, 284 00:13:13,752 --> 00:13:15,545 BUT YOU DIDN'T FLY ALL THE WAY DOWN HERE 285 00:13:15,587 --> 00:13:16,630 FOR A COLD CASE. 286 00:13:16,671 --> 00:13:17,964 WHAT'S REALLY GOING ON? 287 00:13:18,005 --> 00:13:19,882 TERRANCE, THE SURVIVING MEMBER, 288 00:13:19,924 --> 00:13:21,760 VANISHED FROM THE GRID WHEN HE WAS 16 YEARS OLD. 289 00:13:21,800 --> 00:13:23,928 WE THINK HE BECAME THEO NOBLE. 290 00:13:26,222 --> 00:13:28,015 SO HOW DOES SOLVING THIS CASE 291 00:13:28,057 --> 00:13:29,726 GET YOU TO HIM? 292 00:13:29,768 --> 00:13:32,520 OK. SO HERE'S MY THEORY. 293 00:13:32,562 --> 00:13:34,314 10-YEAR-OLD THEO BELIEVES THAT 294 00:13:34,355 --> 00:13:35,732 HIS ENTIRE FAMILY HAS BEEN MURDERED 295 00:13:35,774 --> 00:13:37,275 BY HIS MOTHER'S BOYFRIEND, RIGHT? 296 00:13:37,317 --> 00:13:39,902 SO HE PLOTS, HE PLANS FOR 6 YEARS TO TAKE HIM OUT. 297 00:13:39,944 --> 00:13:42,781 I THINK IF WE REVEAL THE MADMAN 298 00:13:42,821 --> 00:13:44,616 TO BE THE FAMILY'S TRUE KILLER 299 00:13:44,658 --> 00:13:46,200 HE WON'T BE ABLE TO RESIST. 300 00:13:46,242 --> 00:13:48,286 HE'LL COME AFTER HIM, AND WE'LL BE WAITING. 301 00:13:48,328 --> 00:13:50,538 USE ONE SHARK AS BAIT FOR ANOTHER. 302 00:13:53,249 --> 00:13:54,751 I'LL PULL ALL MY FILES. 303 00:14:01,966 --> 00:14:02,925 SLOAN: HEY, TOM. 304 00:14:02,967 --> 00:14:03,968 HEY. 305 00:14:04,010 --> 00:14:05,094 SORRY TO BOTHER YOU. 306 00:14:05,136 --> 00:14:06,845 UH, JUST DOING SOME HOUSEKEEPING 307 00:14:06,887 --> 00:14:08,640 ON THE INCIDENT REPORTS FROM THE RAID 308 00:14:08,682 --> 00:14:10,767 AT GRAY'S BROOKLYN SAFE HOUSE. 309 00:14:10,809 --> 00:14:13,269 DO YOU HAVE A MINUTE TO COME BY THE COMMAND CENTER? 310 00:14:13,311 --> 00:14:16,648 UM, I'M ACTUALLY OFF SITE RIGHT NOW. 311 00:14:16,690 --> 00:14:18,525 CAN I CALL YOU RIGHT BACK? 312 00:14:18,566 --> 00:14:20,401 WHILE I'VE GOT YOU, CAN I ASK YOU A COUPLE QUICK QUESTIONS? 313 00:14:20,443 --> 00:14:21,569 YEAH. I'M KIND OF BUSY. 314 00:14:21,611 --> 00:14:25,031 IT WOULD REALLY HELP ME OUT. 315 00:14:25,072 --> 00:14:26,991 ALL RIGHT. WHAT IS THIS ABOUT? 316 00:14:27,033 --> 00:14:29,952 JUST CROSSING Ts AND DOTTING Is. 317 00:14:29,994 --> 00:14:32,079 UM, YOU HELPED CLEAR THE GRAY SAFE HOUSE, RIGHT? 318 00:14:32,121 --> 00:14:33,080 YEAH. 319 00:14:33,122 --> 00:14:35,375 WHICH FLOOR? 320 00:14:35,416 --> 00:14:36,793 FIRST FLOOR. 321 00:14:36,835 --> 00:14:38,837 AND WERE YOU UP ON THE SECOND FLOOR AT ALL? 322 00:14:38,877 --> 00:14:40,213 I PROBABLY PASSED THROUGH WITH MY PARTNER. 323 00:14:40,254 --> 00:14:42,632 SO YOU WERE NEVER ALONE UP THERE? 324 00:14:42,674 --> 00:14:44,133 NO. NO. 325 00:14:44,175 --> 00:14:45,552 OK. GOOD. 326 00:14:45,593 --> 00:14:47,470 YEAH. THAT'S WHAT IT SAYS HERE IN YOUR REPORT. 327 00:14:47,512 --> 00:14:48,929 OK. COOL. UM, LET ME KNOW 328 00:14:48,971 --> 00:14:50,014 IF YOU NEED ANYTHING ELSE. 329 00:14:50,056 --> 00:14:51,850 WILL DO. THANKS. 330 00:14:54,602 --> 00:14:56,730 LISA: IF THE MADMAN REALLY DID ATTACK HIS FAMILY, 331 00:14:56,771 --> 00:14:59,816 THEN TERRANCE--OR THEO-- IS VERY LUCKY TO BE ALIVE. 332 00:14:59,858 --> 00:15:02,360 HE'S EVER ONLY LEFT ONE OTHER SURVIVOR. 333 00:15:02,402 --> 00:15:04,779 SHE DESCRIBED THE SUSPECT AS MEDIUM BUILD, 334 00:15:04,821 --> 00:15:06,113 DARK HAIR, WORK BOOTS. 335 00:15:06,155 --> 00:15:07,574 ANYTHING ELSE? 336 00:15:07,615 --> 00:15:09,325 NO. SHE DIDN'T GET A GOOD LOOK AT HIM. 337 00:15:09,367 --> 00:15:10,618 THE LIGHTS WERE OUT. 338 00:15:15,623 --> 00:15:16,791 HANG ON. 339 00:15:18,626 --> 00:15:21,045 PHILADELPHIA DEPARTMENT OF WATER AND POWER VAN 340 00:15:21,087 --> 00:15:22,797 PARKED OUTSIDE THE JACKSON HOUSE. 341 00:15:22,839 --> 00:15:24,340 WHAT WERE YOU SAYING ABOUT THE LIGHTS IN THE BUILDING 342 00:15:24,382 --> 00:15:25,717 IN THAT OTHER CASE? 343 00:15:25,759 --> 00:15:26,718 THEIR POWER HAD BEEN SHUT OFF. 344 00:15:26,760 --> 00:15:28,469 THEY HADN'T PAID THEIR BILLS. 345 00:15:28,511 --> 00:15:30,096 UTILITY WORKERS ARE PRACTICALLY INVISIBLE, RIGHT? 346 00:15:30,137 --> 00:15:31,765 UNFETTERED ACCESS TO BUILDINGS, 347 00:15:31,806 --> 00:15:32,973 COME AND GO AS THEY PLEASE. 348 00:15:33,015 --> 00:15:34,475 IT'S THE PERFECT CAMOUFLAGE. 349 00:15:34,517 --> 00:15:36,310 WE NEED TO GO THROUGH THE OTHER MADMAN CASES 350 00:15:36,352 --> 00:15:39,021 AND SEE IF THERE WAS ANY DWP ACTIVITY NEARBY. 351 00:15:39,063 --> 00:15:40,565 WORTH CHECKING OUT. 352 00:15:40,607 --> 00:15:42,442 I'LL REACH OUT TO PHILADELPHIA DWP, SEE IF THEY HAVE ANY 353 00:15:42,483 --> 00:15:44,569 RECORDS OF PEOPLE DOING SERVICE DURING THE TIME OF THE ATTACKS. 354 00:15:44,611 --> 00:15:45,570 I'M GONNA HEAD UP TO PHILLY. 355 00:15:45,612 --> 00:15:46,404 WE'LL HEAD UP TO PHILLY. 356 00:15:46,446 --> 00:15:47,280 WE'RE GOING, TOO. 357 00:15:47,321 --> 00:15:49,699 NO. STAY HERE. GET US A NAME. 358 00:15:49,741 --> 00:15:51,033 CALL IF YOU GET SOMETHING. 359 00:15:54,120 --> 00:15:56,122 YOU THINK HE DITCHED US ON PURPOSE? 360 00:15:56,163 --> 00:15:57,415 I HOPE NOT. 361 00:16:11,137 --> 00:16:13,681 SORRY. YOU KNOW, THEY DIDN'T HAVE 362 00:16:13,723 --> 00:16:16,309 MACROBIOTIC CHALUPAS. 363 00:16:16,350 --> 00:16:18,394 PENNY, YOU NEED TO GROW UP. 364 00:16:18,436 --> 00:16:19,854 THIS IS SERIOUS. 365 00:16:19,896 --> 00:16:21,522 NO. YOU'RE SERIOUS. 366 00:16:21,564 --> 00:16:22,941 THIS IS WHAT WE MAKE IT. 367 00:16:22,982 --> 00:16:24,400 YOU KNOW WHAT YOUR PROBLEM IS, T? 368 00:16:24,442 --> 00:16:26,861 YOU NEED EVERYTHING TO BE PERFECT ALL THE TIME. 369 00:16:26,903 --> 00:16:28,696 I AM SPONTANEOUS AND FUN. 370 00:16:28,738 --> 00:16:29,988 TRY RECKLESS 371 00:16:30,030 --> 00:16:32,032 AND MORE THAN A LITTLE IMMATURE. 372 00:16:34,535 --> 00:16:36,329 OK. SO WHAT IS GOING ON INSIDE THIS MANSION 373 00:16:36,370 --> 00:16:38,790 THAT IT NEEDS THAT MUCH SECURITY? 374 00:16:38,832 --> 00:16:40,040 I DON'T KNOW, 375 00:16:40,082 --> 00:16:41,751 BUT IT'S CONNECTED TO STRAUSS. 376 00:16:41,793 --> 00:16:43,336 HOW DO WE GET IN? 377 00:16:43,377 --> 00:16:44,712 I HACKED INTO ALL THE HIGH-END LIMOUSINE COMPANIES 378 00:16:44,754 --> 00:16:46,422 IN THE D.C. AREA. 379 00:16:46,464 --> 00:16:48,299 I FOUND 5 HEADED TO THE MANSION. 380 00:16:48,341 --> 00:16:51,093 RAN A CLIENT LIST. 381 00:16:51,135 --> 00:16:52,846 LOOKS LIKE HE COULD BE OUR YOUNGER COUSIN. 382 00:16:52,887 --> 00:16:54,221 EXACTLY. 383 00:16:54,263 --> 00:16:56,349 MEET DANIEL CARR, LOBBYIST EXTRAORDINAIRE 384 00:16:56,390 --> 00:16:58,225 AND OUR TICKET TO THE PARTY. 385 00:17:07,819 --> 00:17:10,822 WERE YOU AND LUKE EVER APART AS KIDS? 386 00:17:10,864 --> 00:17:12,824 [AS MARK] NO. 387 00:17:12,866 --> 00:17:14,868 NO. WE DID EVERYTHING TOGETHER. 388 00:17:17,453 --> 00:17:19,664 HE WAS MY ONLY FRIEND. 389 00:17:19,706 --> 00:17:21,916 ALL THE OTHER KIDS THOUGHT WE WERE WEIRD. 390 00:17:21,958 --> 00:17:23,918 I--I WAS THE COMPLETE OPPOSITE. 391 00:17:23,960 --> 00:17:25,503 I HAD SO MANY FRIENDS GROWING UP, 392 00:17:25,545 --> 00:17:28,130 BUT IT WASN'T UNTIL I MET KYLE 393 00:17:28,172 --> 00:17:30,424 THAT I REALIZED HOW LONELY I WAS. 394 00:17:30,466 --> 00:17:32,844 HE GAVE ME THE STRENGTH TO FINALLY BE MYSELF. 395 00:17:32,886 --> 00:17:34,387 I'M JEALOUS. 396 00:17:36,389 --> 00:17:38,683 I DON'T KNOW WHO I AM WITHOUT LUKE. 397 00:17:43,270 --> 00:17:46,524 YOU ARE A SMART, SWEET MAN, 398 00:17:46,566 --> 00:17:49,318 AND YOU'RE STRONG, AND YOU'RE FUNNY, 399 00:17:49,360 --> 00:17:51,863 AND YOU'RE A HELL OF A COOK, 400 00:17:51,905 --> 00:17:55,449 AND WITH ALL THIS TRAGEDY YOU'VE EXPERIENCED, 401 00:17:55,491 --> 00:17:57,368 YOU STILL GOT A GOOD HEART. 402 00:17:57,410 --> 00:18:00,705 I MEAN, YOU TRUSTED ME. 403 00:18:00,747 --> 00:18:02,373 I'LL NEVER FORGET THAT. 404 00:18:05,251 --> 00:18:06,836 MAN ON TV: TONIGHT IN OUR CONTINUING COVERAGE, 405 00:18:06,878 --> 00:18:08,004 AMERICA TAKES A DEEP BREATH 406 00:18:08,046 --> 00:18:09,129 AND CLOSES THE FINAL CHAPTER... 407 00:18:09,171 --> 00:18:11,549 ONE MOMENT. 408 00:18:11,591 --> 00:18:13,426 ...MOST NOTORIOUS AND CHARMING MURDERERS. 409 00:18:13,467 --> 00:18:16,804 AFTER A BLOODY HOSTAGE CRISIS DEFUSED BY AGENT RYAN HARDY, 410 00:18:16,846 --> 00:18:19,640 SERIAL KILLER JOE CARROLL WAS EXECUTED YESTERDAY. 411 00:18:19,682 --> 00:18:22,018 CARROLL TERRORIZED THE EAST COAST, KILLING DOZENS, 412 00:18:22,060 --> 00:18:23,394 AND MANAGED TO ESCAPE FEDERAL CUSTODY 413 00:18:23,436 --> 00:18:25,396 NOT ONCE BUT TWICE. 414 00:18:25,438 --> 00:18:26,564 IT WAS RYAN HARDY WHO... 415 00:18:26,606 --> 00:18:28,024 YOU SHOULDN'T BE OUT WORKING TODAY 416 00:18:28,066 --> 00:18:29,233 AFTER WHAT YOU WENT THROUGH YESTERDAY. 417 00:18:29,275 --> 00:18:30,985 I LIKE TO KEEP BUSY. 418 00:18:31,027 --> 00:18:32,278 HMM. 419 00:18:32,319 --> 00:18:34,321 IF WE CATCH THE MADMAN, 420 00:18:34,363 --> 00:18:35,656 YOU NEED TO UNDERSTAND THAT I'M 421 00:18:35,698 --> 00:18:37,575 GONNA BRING HIM IN THE RIGHT WAY. 422 00:18:37,617 --> 00:18:38,993 YOU ACCUSING ME OF SOMETHING? 423 00:18:39,035 --> 00:18:41,037 NO. I JUST KNOW YOU LIKE TO COLOR OUTSIDE THE LINES, 424 00:18:41,079 --> 00:18:44,164 BUT THIS GUY KILLED A LOT OF PEOPLE ON MY WATCH, 425 00:18:44,206 --> 00:18:46,584 SO I NEED A CLEAN CONVICTION. 426 00:18:46,626 --> 00:18:47,961 GOT TO DO IT BY THE BOOK. 427 00:18:48,002 --> 00:18:48,962 OF COURSE. 428 00:18:49,003 --> 00:18:51,422 CLERK: HOW CAN I HELP YOU? 429 00:18:51,464 --> 00:18:53,215 I GOT THIS. TWO ROOMS, PLEASE. 430 00:18:56,761 --> 00:18:57,887 HEY, MIKE. 431 00:18:57,929 --> 00:18:59,055 WE GOT A NAME. 432 00:18:59,097 --> 00:19:00,681 CROSSCHECK OF DWP RECORDS SHOWS 433 00:19:00,723 --> 00:19:02,558 A LONE EMPLOYEE WORKING WITHIN THE SAME SECTOR 434 00:19:02,600 --> 00:19:03,810 OF AT LEAST 4 OF THE MADMAN MURDERS. 435 00:19:03,851 --> 00:19:05,937 SUSPECT'S NAME IS... 436 00:19:05,979 --> 00:19:07,063 OLEG VUKOVICH. 437 00:19:07,105 --> 00:19:08,355 MAX IS SENDING YOU A PICTURE 438 00:19:08,397 --> 00:19:09,899 AND A LAST-KNOWN ADDRESS NOW. 439 00:19:09,941 --> 00:19:12,110 SHOULD WE SEND A LOCAL HRT TEAM TO MEET UP WITH YOU AND LISA? 440 00:19:19,408 --> 00:19:21,577 NO. WE'LL CHECK IT OUT. 441 00:19:21,619 --> 00:19:23,079 WE'LL CALL YOU IF WE NEED BACKUP. 442 00:19:23,121 --> 00:19:25,205 OK. MAX AND I ARE ON OUR WAY THERE. 443 00:19:25,247 --> 00:19:27,249 HEY. YOUR GUYS GET ANYTHING? 444 00:19:27,291 --> 00:19:29,710 NO, NO. THEY'RE STILL WORKING ON IT. 445 00:19:29,752 --> 00:19:31,378 -ROOM KEY? -AH. THERE YOU GO. 446 00:19:31,420 --> 00:19:33,965 ALL RIGHT. I LEFT SOMETHING IN THE CAR. 447 00:19:34,007 --> 00:19:36,092 -I'LL BE UP IN A MINUTE. -ALL RIGHT. 448 00:19:47,311 --> 00:19:49,480 WOMAN: THIS PLACE IS FAR, HUH? 449 00:19:49,522 --> 00:19:53,275 YES, BUT WORTH THE WAIT. 450 00:19:53,317 --> 00:19:55,653 IT'S THE MOST EXCLUSIVE PARTY YOU'LL EVER GO TO. 451 00:19:57,780 --> 00:20:00,741 AH. LOOKS LIKE WE'RE HERE. 452 00:20:00,783 --> 00:20:01,868 I DON'T SEE ANY HOUSES. 453 00:20:04,244 --> 00:20:05,412 WHO THE HELL ARE YOU? 454 00:20:05,454 --> 00:20:07,874 EVENING, DANIEL, MA'AM. 455 00:20:07,915 --> 00:20:09,834 HEH. 456 00:20:09,876 --> 00:20:11,335 WHAT THE HELL IS GOING ON? 457 00:20:14,505 --> 00:20:16,966 I'VE GOT SOME QUESTIONS ABOUT THIS PARTY. 458 00:20:17,008 --> 00:20:18,258 IF YOU KNOW ABOUT THE PARTY, 459 00:20:18,300 --> 00:20:19,635 YOU KNOW I CAN'T SAY ANYTHING. 460 00:20:19,677 --> 00:20:21,762 IT'S EASY TO TALK TOUGH, DANIEL... 461 00:20:25,599 --> 00:20:27,476 BUT I'M A PROFESSIONAL AT CAUSING PAIN, 462 00:20:27,518 --> 00:20:29,103 AND YOU'RE AN AMATEUR AT TAKING IT, 463 00:20:29,145 --> 00:20:30,938 SO LET'S CUT TO THE CHASE. 464 00:20:30,980 --> 00:20:32,857 WHO'S HOSTING THE PARTY? 465 00:20:35,401 --> 00:20:40,280 I'VE ONLY HEARD A FIRST NAME--ELIZA. 466 00:20:40,322 --> 00:20:41,866 NOW LISTEN TO ME. 467 00:20:41,908 --> 00:20:43,659 THESE PEOPLE, 468 00:20:43,701 --> 00:20:45,661 YOU DO NOT WANT THEIR ATTENTION. 469 00:20:45,703 --> 00:20:48,288 OH, BUT THAT'S EXACTLY WHAT I WANT, DANIEL. 470 00:20:48,330 --> 00:20:49,707 PENNY: NOW BOTH OF YOU, GET UNDRESSED. 471 00:20:49,749 --> 00:20:51,667 WE DON'T WANT TO GET ANY BLOOD ON THE CLOTHES. 472 00:23:14,310 --> 00:23:16,229 [MAN AND WOMAN SCREAMING ON TAPE] 473 00:23:18,605 --> 00:23:20,024 MAN: AAH! STOP! 474 00:23:20,066 --> 00:23:22,693 WOMAN: GOD! AAH! 475 00:23:48,552 --> 00:23:49,970 ARRR! 476 00:24:21,419 --> 00:24:22,836 WHAT THE HELL WERE YOU THINKING? 477 00:24:22,878 --> 00:24:24,213 YOU NEARLY GOT YOURSELF KILLED, 478 00:24:24,255 --> 00:24:25,631 AND NOW THE MADMAN IS IN THE WIND. 479 00:24:25,672 --> 00:24:27,091 WE'LL FIND HIM, ALL RIGHT? 480 00:24:27,133 --> 00:24:29,093 WE HAD HIM, AND IF YOU'D FOLLOWED PROTOCOL, 481 00:24:29,135 --> 00:24:31,929 HE'D BE IN CUSTODY! 482 00:24:31,971 --> 00:24:34,181 YOU BETTER TALK SOME SENSE INTO HIM. 483 00:24:34,223 --> 00:24:36,058 HEY. YOU OK? 484 00:24:36,100 --> 00:24:37,184 I'M FINE. 485 00:24:37,226 --> 00:24:38,311 ARE YOU FINE? 486 00:24:38,352 --> 00:24:39,312 THEY COULD SUSPEND YOU FOR THIS. 487 00:24:39,353 --> 00:24:40,980 I DON'T CARE, OK? 488 00:24:41,021 --> 00:24:42,982 PULL EVERYTHING YOU CAN ON OLEG-- 489 00:24:43,023 --> 00:24:44,900 FRIENDS, FAMILY, OTHER PROPERTY, 490 00:24:44,942 --> 00:24:46,193 ANYTHING! 491 00:24:47,861 --> 00:24:49,029 I'VE NEVER SEEN HIM LIKE THIS. 492 00:24:49,071 --> 00:24:50,906 I HAVE. 493 00:25:01,000 --> 00:25:01,708 HEY. 494 00:25:01,750 --> 00:25:02,835 SORRY. I KNOW IT'S LATE. 495 00:25:02,876 --> 00:25:04,128 EVERYTHING OK? 496 00:25:04,170 --> 00:25:05,587 IT'S THE SAFE HOUSE RAID. SOME OF THE DETAILS 497 00:25:05,629 --> 00:25:07,505 JUST AREN'T ADDING UP, AND I'M ON A DEADLINE. 498 00:25:07,547 --> 00:25:10,009 YOU OFFERED TO HELP. IS THIS OK? 499 00:25:10,050 --> 00:25:11,760 SURE, SURE. COME ON IN. 500 00:25:11,802 --> 00:25:12,970 THANKS. 501 00:25:17,933 --> 00:25:20,811 UH, I GOT GOOD NEWS AND BAD. 502 00:25:20,853 --> 00:25:22,229 DID YOU FIND WHO'S WATCHING MAX? 503 00:25:22,271 --> 00:25:25,065 UH, NO, BUT I DID MANAGE TO TRACK 504 00:25:25,107 --> 00:25:26,566 WHERE THE LAPTOP'S BEEN USED, 505 00:25:26,608 --> 00:25:28,235 AND THAT'S THE BAD NEWS. 506 00:25:28,277 --> 00:25:29,820 IT'S INSIDE THE FBI. 507 00:25:29,862 --> 00:25:31,613 YOUR MYSTERY MAN WORKS FOR THE FEDS. 508 00:25:31,655 --> 00:25:33,115 HOW LONG TILL WE IDENTIFY HIM? 509 00:25:33,157 --> 00:25:35,451 NEVER. HACKING THE FBI FIREWALL 510 00:25:35,493 --> 00:25:36,660 IS TOO BLACK HAT FOR ME. 511 00:25:36,702 --> 00:25:37,995 I'M WORRIED I SET OFF AN ALARM 512 00:25:38,037 --> 00:25:39,705 JUST SNIFFING AROUND THE OUTSIDE. 513 00:25:39,746 --> 00:25:41,539 SEE? I TOLD YOU THIS WAS A WASTE OF TIME. 514 00:25:41,581 --> 00:25:43,167 NO, NO, NO. THIS STILL HELPS, OK? 515 00:25:43,209 --> 00:25:45,294 WE JUST NEED TO FIND SOMEONE WHO CAN HACK INTO THE FBI. 516 00:25:45,336 --> 00:25:47,838 DO YOU KNOW ANYONE WHO DOES THAT? BECAUSE I SURE AS HELL DON'T. 517 00:25:49,965 --> 00:25:51,967 ACTUALLY, I DO. 518 00:26:13,197 --> 00:26:16,116 HOW ARE WE SUPPOSED TO FIND THIS ELIZA CHICK ANYWAY? 519 00:26:16,158 --> 00:26:18,660 I FIGURE SHE'LL BE PRETTY CLOSE TO THE ACTION. 520 00:26:30,506 --> 00:26:31,673 COME ON. 521 00:26:31,715 --> 00:26:32,883 WHERE ARE WE GOING? 522 00:26:40,558 --> 00:26:41,517 BRACELET. 523 00:26:47,106 --> 00:26:48,274 HAVE FUN. 524 00:26:53,112 --> 00:26:54,488 BRACELET. 525 00:26:59,118 --> 00:27:00,286 HAVE FUN. 526 00:27:51,128 --> 00:27:53,422 SORRY, FOLKS. THIS AREA IS OFF LIMITS. 527 00:27:53,464 --> 00:27:54,590 OH, IT'S OK. 528 00:27:54,632 --> 00:27:56,175 WE'RE JUST GOING TO SEE ELIZA. 529 00:27:58,051 --> 00:27:59,219 AGH! 530 00:28:04,350 --> 00:28:06,393 YOU READY? 531 00:28:06,435 --> 00:28:07,603 READY. 532 00:28:28,874 --> 00:28:30,250 WHO ARE YOU? 533 00:28:33,920 --> 00:28:36,756 THEO IS AS GOOD A NAME AS ANY. 534 00:28:36,798 --> 00:28:38,217 I'VE BEEN LED TO BELIEVE THAT WE HAVE 535 00:28:38,258 --> 00:28:39,468 A FRIEND IN COMMON. 536 00:28:39,510 --> 00:28:41,136 I'M SURE I DON'T KNOW WHAT YOU MEAN. 537 00:28:41,178 --> 00:28:42,888 HE WAS FOUND DEAD RECENTLY 538 00:28:42,929 --> 00:28:45,891 AFTER A VERY PUBLIC MISTRIAL. 539 00:28:45,932 --> 00:28:48,686 ACCORDING TO THE NEWS, YOU KILLED THAT GENTLEMAN. 540 00:28:48,726 --> 00:28:52,272 DR. STRAUSS' DEATH WAS A TRAGEDY 541 00:28:52,314 --> 00:28:53,857 BROUGHT ABOUT BY HIS WILLINGNESS 542 00:28:53,899 --> 00:28:55,942 TO BETRAY THOSE CLOSE TO HIM, 543 00:28:55,984 --> 00:28:59,697 A TRAIT I CAN'T IMAGINE THAT YOU WOULD CONDONE. 544 00:28:59,737 --> 00:29:04,493 CERTAINLY NOT WHAT ONE LOOKS FOR IN A FRIEND, 545 00:29:04,535 --> 00:29:06,662 BUT I'M SURE YOU DIDN'T COME ALL THE WAY HERE 546 00:29:06,704 --> 00:29:08,497 AND SHOOT MY SECURITY PEOPLE 547 00:29:08,539 --> 00:29:10,749 JUST TO TALK ABOUT THE DEARLY DEPARTED. 548 00:29:10,790 --> 00:29:11,958 NO. 549 00:29:13,835 --> 00:29:15,337 I CAME TO MAKE AN OFFER 550 00:29:15,379 --> 00:29:16,838 BUT ONLY ONCE I'M CONVINCED YOU'RE 551 00:29:16,880 --> 00:29:19,883 THE PERSON TO MAKE IT TO. 552 00:29:19,925 --> 00:29:21,468 CAN WE CUT TO THE CHASE ALREADY? 553 00:29:21,510 --> 00:29:22,969 MY FEET ARE KILLING ME. 554 00:29:23,011 --> 00:29:24,137 AND YOU ARE? 555 00:29:24,179 --> 00:29:27,140 NOT THE TOPIC OF CONVERSATION. 556 00:29:27,182 --> 00:29:28,934 I ASSUME YOU ARE FAMILIAR 557 00:29:28,975 --> 00:29:30,894 WITH SPECIAL AGENT RYAN HARDY. 558 00:29:30,936 --> 00:29:32,062 VAGUELY. 559 00:29:32,104 --> 00:29:33,855 WELL, HE CAUGHT JOE CARROLL 560 00:29:33,897 --> 00:29:35,148 AND ARTHUR STRAUSS, 561 00:29:35,190 --> 00:29:36,858 AND HE'S COME CLOSER THAN ANYONE ELSE 562 00:29:36,900 --> 00:29:38,818 TO CATCHING ME. 563 00:29:38,860 --> 00:29:42,615 DO YOU REALLY BELIEVE THAT YOU CAN STAY OFF HIS RADAR FOREVER? 564 00:29:42,656 --> 00:29:45,659 FOR ARGUMENT'S SAKE, LET'S PRETEND LIKE THAT MATTERS. 565 00:29:45,701 --> 00:29:49,204 WELL, THEN LET'S ALSO PRETEND THAT I CAN DELIVER HIM TO YOU 566 00:29:49,246 --> 00:29:51,498 DEAD OR ALIVE, YOUR CHOICE. 567 00:29:51,540 --> 00:29:54,501 JUST KNOW THAT ALIVE WON'T NECESSARILY MEAN WHOLE. 568 00:29:57,546 --> 00:29:59,465 NO OFFENSE, 569 00:29:59,506 --> 00:30:01,467 BUT WHY WOULD WE OUTSOURCE SUCH A SENSITIVE MATTER? 570 00:30:01,508 --> 00:30:03,843 BECAUSE I AM ALREADY EXPOSED. 571 00:30:03,885 --> 00:30:07,389 YOU GO AFTER RYAN HARDY, AND YOU FAIL, 572 00:30:07,431 --> 00:30:09,558 YOU PUT A TARGET RIGHT ON YOUR BACK. 573 00:30:09,600 --> 00:30:13,353 I'M PROVIDING YOU WITH A FIREWALL OF SORTS. 574 00:30:13,395 --> 00:30:16,315 QUESTION IS WHAT IS THAT WORTH TO YOU? 575 00:30:16,356 --> 00:30:20,152 WHY DO I THINK YOU ALREADY HAVE A PRICE IN MIND? 576 00:30:29,202 --> 00:30:31,037 DISCUSSION FOR ANOTHER DAY. 577 00:30:34,832 --> 00:30:36,293 SORRY ABOUT THE MESS. 578 00:31:24,633 --> 00:31:26,134 HEY. 579 00:31:26,176 --> 00:31:28,011 LISTEN. I'M GIVING YOU A PASS 580 00:31:28,053 --> 00:31:30,930 BECAUSE IT WAS YOUR LEAD THAT GOT US SO CLOSE TO OLEG. 581 00:31:30,972 --> 00:31:35,060 WHAT HAPPENED TONIGHT CANNOT EVER HAPPEN AGAIN. 582 00:31:35,101 --> 00:31:36,562 I GET IT. 583 00:31:36,603 --> 00:31:39,064 YOU WOULDN'T LOOK GOOD IN AN ORANGE JUMPSUIT. 584 00:31:42,693 --> 00:31:45,153 BOLOs FOR OLEG ARE OUT ACROSS THE CITY, 585 00:31:45,195 --> 00:31:47,573 AND ALL HIS FINANCIALS HAVE BEEN TAGGED 586 00:31:47,614 --> 00:31:49,199 IN CASE HE TRIES TO RUN. 587 00:31:49,241 --> 00:31:51,326 YEAH. WELL, HIS JOURNAL INDICATES THAT HE SUFFERS 588 00:31:51,368 --> 00:31:53,328 FROM PROFOUND PSYCHOTIC DELUSIONS, 589 00:31:53,370 --> 00:31:55,873 THINKS HE'S CHARON, THE BOATMAN OF HADES, 590 00:31:55,914 --> 00:31:58,500 FERRYING SOULS ACROSS THE RIVER STYX. 591 00:31:58,542 --> 00:32:00,126 WHAT'S HIS COMPULSION WITH MIRRORS? 592 00:32:00,168 --> 00:32:01,211 WHY BREAK THEM? 593 00:32:01,253 --> 00:32:02,671 HE'S SCARED OF THEM. 594 00:32:02,713 --> 00:32:05,173 HE BELIEVES THEY ARE THE GATEWAY TO HELL, 595 00:32:05,215 --> 00:32:07,008 AND HE'S NOT READY TO GO BACK YET. 596 00:32:22,608 --> 00:32:24,025 HI. HOW CAN I HELP YOU? 597 00:32:24,067 --> 00:32:25,736 THE FBI-- WHAT ROOM? 598 00:32:25,778 --> 00:32:28,781 I'M SORRY. I CAN'T JUST GIVE YOU THAT INFORMATION. 599 00:32:30,783 --> 00:32:32,576 WHOA. WAIT A SECOND. 600 00:32:32,618 --> 00:32:34,578 WAIT A SECOND. WAIT, WAIT. AAH! 601 00:32:55,181 --> 00:32:56,349 GWEN: HI. YOU'VE REACHED GWEN. 602 00:32:56,391 --> 00:32:58,477 PLEASE LEAVE A MESSAGE. 603 00:32:58,518 --> 00:33:00,270 GWEN, IT'S ME. 604 00:33:00,312 --> 00:33:02,188 I NEED TO TALK TO YOU. 605 00:33:02,230 --> 00:33:03,273 I CAN--I CAN FIX THIS. 606 00:33:03,315 --> 00:33:06,735 PLEASE, PLEASE CALL ME BACK. 607 00:33:06,777 --> 00:33:08,111 I LOVE YOU. 608 00:33:20,624 --> 00:33:22,167 THAT CALL HAVE ANYTHING TO DO 609 00:33:22,208 --> 00:33:23,710 WITH HOW YOU BEHAVED TODAY? 610 00:33:23,752 --> 00:33:24,837 NOT AT ALL. 611 00:33:24,878 --> 00:33:27,673 I'VE LEFT THAT MESSAGE BEFORE. 612 00:33:27,714 --> 00:33:29,967 DIVORCED TWICE. 613 00:33:30,007 --> 00:33:31,426 I FINALLY REALIZED OUR LINE OF WORK 614 00:33:31,468 --> 00:33:32,761 DOESN'T LEAVE A LOT OF ROOM FOR RELATIONSHIPS. 615 00:33:32,803 --> 00:33:35,138 JUST ONE OR THE OTHER. 616 00:33:35,180 --> 00:33:36,682 I DON'T BELIEVE THAT. 617 00:33:36,723 --> 00:33:40,811 A WORD OF UNSOLICITED ADVICE-- 618 00:33:40,853 --> 00:33:42,103 JUST WALK AWAY. 619 00:33:42,145 --> 00:33:43,522 SHE'LL BE BETTER OFF, AND IN THE END, 620 00:33:43,563 --> 00:33:45,524 SO WILL YOU. 621 00:33:45,565 --> 00:33:47,442 YEAH. LISTEN, UH, 622 00:33:47,484 --> 00:33:49,945 I'M GONNA GO DOWNSTAIRS, GET SOME AIR. 623 00:33:49,987 --> 00:33:51,905 YOU WANT ANYTHING? 624 00:33:51,947 --> 00:33:53,866 NO. I'M GONNA TAKE THESE BACK TO MY ROOM. 625 00:33:53,907 --> 00:33:55,158 WILL YOU GIVE ME A HAND? 626 00:34:09,798 --> 00:34:10,966 SEE YOU TOMORROW? 627 00:34:54,009 --> 00:34:56,595 WOMAN ON TAPE: NO, PLEASE! NO! 628 00:34:59,639 --> 00:35:00,640 HELLO? 629 00:35:21,411 --> 00:35:22,829 OHH! 630 00:35:32,380 --> 00:35:33,381 LISA: RYAN! 631 00:35:33,423 --> 00:35:35,008 RYAN, STOP! 632 00:35:39,888 --> 00:35:41,640 SO I GOT A FEW QUESTIONS. 633 00:35:41,681 --> 00:35:43,683 NOVEMBER 14, 1990, 634 00:35:43,725 --> 00:35:45,894 AN APARTMENT IN KENSINGTON. 635 00:35:45,936 --> 00:35:47,938 MOTHER, 3 CHILDREN, THE JACKSONS. 636 00:35:47,980 --> 00:35:49,314 YOU REMEMBER THEM? 637 00:35:54,653 --> 00:35:56,613 WHY WOULD YOU SPARE THE BOY? 638 00:36:02,995 --> 00:36:04,496 YOU KNOW, I READ YOUR JOURNAL. 639 00:36:06,832 --> 00:36:08,583 I KNOW HOW YOU FEEL ABOUT THESE. 640 00:36:10,418 --> 00:36:13,922 OHH! OH, GOD! STOOOOOPPPP! 641 00:36:13,964 --> 00:36:15,298 AFTER YOU TELL ME WHY YOU LET HIM LIVE. 642 00:36:15,340 --> 00:36:17,216 BECAUSE HE WAS MY FRIEND! 643 00:36:17,258 --> 00:36:19,176 LISA: GET OFF OF HIM! 644 00:36:19,218 --> 00:36:21,680 WHAT DO YOU MEAN YOUR FRIEND? 645 00:36:21,721 --> 00:36:24,474 I DID SOME WORK IN HIS BUILDING. 646 00:36:24,516 --> 00:36:26,101 HE WOULD HIDE ON THE STAIRS 647 00:36:26,143 --> 00:36:29,646 AWAY FROM HIS MOTHER WHEN SHE HIT HIM. 648 00:36:29,688 --> 00:36:31,606 WHEN I LOOKED IN HIS EYES, 649 00:36:31,648 --> 00:36:35,819 I SAW THAT HE WAS LIKE ME. 650 00:36:35,861 --> 00:36:41,282 ONE DAY, HE ASKED ME TO COME AND KILL HIS FAMILY. 651 00:36:43,535 --> 00:36:45,662 HE WAS 10 YEARS OLD. 652 00:36:45,704 --> 00:36:47,747 HE WAS A DEMON. 653 00:36:47,789 --> 00:36:50,333 HE MADE ME PROMISE TO KILL THEM ALL 654 00:36:50,375 --> 00:36:52,377 EXCEPT FOR THE LITTLE GIRL. 655 00:36:52,418 --> 00:36:53,545 WAIT. WHAT LITTLE GIRL? 656 00:36:53,586 --> 00:36:55,005 HIS SISTER SOPHIA. 657 00:36:55,047 --> 00:36:56,965 TERRANCE DIDN'T HAVE A SISTER, ONLY BROTHERS. 658 00:36:57,007 --> 00:36:59,509 SHE WAS A FOSTER, TAKEN IN FOR THE MONEY. 659 00:36:59,551 --> 00:37:01,260 WHY WOULD HE PROTECT HER? 660 00:37:01,302 --> 00:37:02,637 OH, HE LOVED HER. 661 00:37:02,679 --> 00:37:04,472 THEY SHARED A SPECIAL BOND. 662 00:37:10,353 --> 00:37:11,730 I COME BEARING GIFTS. 663 00:37:11,771 --> 00:37:12,898 STILL TAKE YOURS WITH MILK, SUGAR, 664 00:37:12,939 --> 00:37:14,191 AND A SPLASH OF COFFEE, RIGHT? 665 00:37:14,273 --> 00:37:16,693 YEAH. THANKS. 666 00:37:16,735 --> 00:37:20,321 MAN: ♪ ALL MY DEMONS ♪ 667 00:37:20,363 --> 00:37:21,740 ♪ ALL MY WORDS ♪ 668 00:37:21,781 --> 00:37:24,325 WHAT'S WRONG? 669 00:37:24,367 --> 00:37:29,664 RYAN WAS DRUNK BACK AT THE HOTEL. 670 00:37:29,706 --> 00:37:31,457 IF CAMPBELL HADN'T BEEN THERE TO STOP HIM-- 671 00:37:31,499 --> 00:37:32,751 BUT SHE WAS, 672 00:37:34,711 --> 00:37:36,963 AND WE'LL BE THERE TO GET HIM THROUGH THIS. 673 00:37:40,258 --> 00:37:44,554 ♪ NO LOVE IS EVER NEW ♪ 674 00:37:46,806 --> 00:37:49,976 SO THIS HACKER GUY, HE'S THE ONE WHO KILLED STRAUSS? 675 00:37:50,018 --> 00:37:53,146 YEAH, AND HE GAVE ME A WAY TO CONTACT HIM 676 00:37:53,188 --> 00:37:55,107 IN CASE I EVER HEARD OF ANYTHING THAT PUT HIM IN JEOPARDY. 677 00:37:55,148 --> 00:37:57,316 ♪ LORD, HAVE MERCY ♪ 678 00:37:57,358 --> 00:38:01,238 ♪ FOR I'M UNKIND ♪ 679 00:38:01,279 --> 00:38:03,823 WHAT'S THE PROBLEM? 680 00:38:03,865 --> 00:38:06,284 THIS IS A SCARY GUY, 681 00:38:06,325 --> 00:38:11,081 LIKE, MAYBE THE SCARIEST GUY I'VE EVER MET. 682 00:38:11,123 --> 00:38:13,583 YOU DON'T HAVE TO STICK AROUND. 683 00:38:13,625 --> 00:38:16,211 I CAN DO THIS BY MYSELF. 684 00:38:16,253 --> 00:38:18,964 NO. I OWE YOU, OK? 685 00:38:19,005 --> 00:38:20,506 WE'RE IN THIS TOGETHER. 686 00:38:20,548 --> 00:38:25,220 ♪ I'D LIKE TO LET YOU SEE ♪ 687 00:38:32,811 --> 00:38:35,438 YOU THINK THEY'LL GO FOR IT? 688 00:38:35,480 --> 00:38:36,689 I DON'T KNOW. 689 00:38:39,067 --> 00:38:41,319 ♪ I'M NOT A HUNTER ♪ 690 00:38:41,360 --> 00:38:43,238 ♪ THIS ISN'T HOW YOU... ♪ 691 00:38:43,280 --> 00:38:44,864 IS THAT THEM? 692 00:38:44,906 --> 00:38:47,867 NO. 693 00:38:47,909 --> 00:38:49,244 WELL, WHO IS IT? 694 00:38:52,413 --> 00:38:54,457 SOMEONE VERY UNEXPECTED. 695 00:38:54,499 --> 00:38:56,251 TOM: AGENT RUIZ CLEARED OUT THE BEDROOM 696 00:38:56,293 --> 00:38:58,086 ON THE SECOND FLOOR HERE, 697 00:38:58,128 --> 00:39:00,630 AND TALLEY AND HANCOCK 698 00:39:00,672 --> 00:39:02,423 SEARCHED THE LIVING ROOM AND KITCHEN 699 00:39:02,465 --> 00:39:03,675 ON THE FIRST FLOOR. 700 00:39:03,716 --> 00:39:06,803 SO RUIZ IS ALONE ON THE SECOND FLOOR, 701 00:39:06,845 --> 00:39:08,680 BUT PROTOCOL STATES THAT HRT AGENTS MOVE IN PAIRS. 702 00:39:08,721 --> 00:39:10,473 WHY WASN'T THAT DONE HERE? 703 00:39:10,515 --> 00:39:12,934 HEAT OF THE MOMENT, ADRENALINE PUMPING AND ALL THAT. 704 00:39:12,976 --> 00:39:14,144 HMM. 705 00:39:20,275 --> 00:39:23,444 ♪ ALL MY WOMEN ♪ 706 00:39:23,486 --> 00:39:25,155 WHAT ARE YOU LOOKING FOR? 707 00:39:25,197 --> 00:39:26,906 TRYING TO FIND WHICH AGENT WAS PAIRED 708 00:39:26,948 --> 00:39:28,491 WITH RUIZ THAT DAY. 709 00:39:28,533 --> 00:39:29,701 ISN'T IT RIGHT THERE IN MY REPORT? 710 00:39:29,742 --> 00:39:31,119 WELL, IT WAS A JOINT ENGAGEMENT, 711 00:39:31,161 --> 00:39:33,872 SO THERE'S ANOTHER REPORT FILED BY OUR TEAM. 712 00:39:33,913 --> 00:39:35,040 A SECOND REPORT? 713 00:39:35,081 --> 00:39:38,877 YEAH. IT'S NEW POLICY THIS YEAR. 714 00:39:38,918 --> 00:39:40,253 HERE IT IS. 715 00:39:40,295 --> 00:39:42,255 ♪ BECAUSE ONLY WHEN YOU'RE ASLEEP ♪ 716 00:39:42,297 --> 00:39:45,717 ♪ CAN I JUST REST MY FEET ♪ 717 00:39:45,758 --> 00:39:47,927 ♪ I'M SICK OF LOVE ♪ 718 00:39:47,969 --> 00:39:49,304 NO, NO. YOU DON'T UNDERSTAND. 719 00:39:49,346 --> 00:39:50,638 LET ME EXPLAIN, LET ME EXPLAIN. 720 00:39:53,892 --> 00:39:58,146 ♪ OH, I THINK I'M FALLING APART ♪ 721 00:39:58,188 --> 00:40:03,360 ♪ I KIND OF LIKE THE WAY I FEEL WHEN I'M HURT ♪ 722 00:40:03,401 --> 00:40:04,485 NO. 723 00:40:04,527 --> 00:40:06,863 ♪ I'M NOT A DECENT MAN ♪ 724 00:40:06,905 --> 00:40:08,740 NO, NO, NO! 725 00:40:08,781 --> 00:40:09,949 NO, NO! 726 00:40:09,991 --> 00:40:13,370 ♪ WHOA, OH, OH, OH ♪ 727 00:40:15,580 --> 00:40:21,878 ♪ OH, OH, OH, OH, OHHH ♪ 728 00:40:27,926 --> 00:40:29,135 GWEN? 729 00:41:08,549 --> 00:41:10,635 JOE: COME ON. 730 00:41:10,676 --> 00:41:12,678 YOU'RE BETTER OFF WITHOUT HER. 731 00:41:15,890 --> 00:41:18,017 NOW... 732 00:41:18,059 --> 00:41:19,394 HOW ABOUT A DRINK? 733 00:41:26,859 --> 00:41:30,655 ♪ OH, OH, OH, OH ♪ 734 00:41:30,696 --> 00:41:32,365 ♪ OH, OH, OH, OH ♪